Inside publication, 2017 Edition of 80 Inside publication accompanied exhibition Inside at Paddington Town Hall, Sydney with texts by Amelia Wallin, Ariana Reines, Audrey Schmidt, Virginia Woolf, Aurelia Guo, Leslie Allison and MP Hopkins. A reading list by Stella Rosa McDonald & images by Rafaela Pandolfini, Senga Nengudi and Hana Earles
Senga Nengudi, Rapunzal, 1981, silver gelatin print, 825 x 1250 unframed, courtesy the artist, courtesy the artist, Thomas Erben Gallery New York and Levy Gorvy Gallery London + Lewis Fidock and Nalda SearlesInside installation view, Paddington Town Hall Sydney, 2017D&K, All or Nothing, 2017, Garment collection, materials and dimensions variableD&K, All or Nothing, 2017 Garments feature art work by: Blake Burns, James Deutsher, Lewis Fidock, Christopher LG Hill, Chantal Kirby, Spencer Lai, Gian Manik, Kate Meakin, Virginia Overell, Joshua Petherick, Sean Peoples, Adele Varcoe, Alex Vivian. Garment production collaborator: Chantal Kirby Ainslie Templeton, Heterographic blanket (domination), 2017, towel, tarpaulin, urine, peppermint and wax, uniqueHana Earles, the second god to audience: next, i am going to do a painting, 2017Inside opening nightInside opening night jjjjjaleAnn Shelton, The physical garden, performance that accompanies Jane says, Paddington Town Hall, Sydney, November 2017 Performed by Jordana Bragg and Samantha GorhamMimi Smith, Thirty, Thirty-five, 2015, digital laser print, edition 2/5Hannah Bronte, Umma is burning, 2017, 1500 x 2000, vinyl banner
Hannah Bronte, Umma and child, molten, 2017, vinyl banner, 1500 x 2000Ariana Reines - Oh one thing I might need to add is that I didn't do anything to that photograph to create the effect, my mom's aura made that happenAriana Reines, Sandra Reines, 9/14/17, 2017, Video, audio, 00:07:41Installation view Ann Shelton, Jane Says, C Type Prints, 840 x 1119 Ann Shelton, Courtesy the artist and Bartley and Company Art, WellingtonZoe M. Roberston, Divine Right, 2017, Lime wash and acrylic (mis tints) on found fabric, 1500 x 2000Zoe.M.Robertson, Inside closing performance, Course of life another series of small deathsGian Manik, Tom and Rebecca's Wedding cake, 2017, chocolate cake, fondant, rug, dimensions variableMimi Smith, A reading of two drawings, 1977, Documentation of a performance at Franklin Furnace, NYC, 1978Morag Keil, Gawker, 2012Morag with Gawker
Group Murmmrrr, Inside Sound night #1 November 2017, organised by Matthew P. Hopkins
Military Position, Inside Sound night #2 November 2017, organised by Matthew P. Hopkins
Ross Manning, Inside Sound night #1 orgnised by Matthew Hopkins, Paddington Town Hall, November 2017
Hannah Bronte, Umma and child, molten, 2017, vinyl banner, 1500 x 2000D&K, All or Nothing, 2017. Garment production: Ricarda Bigolin (D&K), Tasmin Pritchard, Holly Simpson and Chantal Kirby. Stylist: Adam Wood Originally performed as part of the exhibition High Risk Dressing Critical Fashion, RMIT Design HubHannah Bronte, Umma and child, molten, 2017, vinyl banner, 1500 x 2000Hannah Quinlan and Rosie Hastings, UK Gay Bar Directory, 2016, moving image installation, courtesy the artists and Arcadia Missa, LondonCinzia Ruggeri, Per un vestire organico (Towards an organic way of dressing), 1983, video and sound, 00:20:25Mimi Smith, Underpants Trio, 2015, digital laser print, edition 1/5Ruth O'Leary, Breast Piece, 2017, Digital type-c print, 920 x 630, Edition 1/2 + 1 APCinzia Ruggeri, A Bad Dream, 1979, Pillow with glove, plastic ear, zip and black inkJana Hawkins-Andersen, Sympathy and Contagion, 2017, Silicon, plastic, thread, acrylic nail extensions, latex, plastic zipper, plastic flowers, stickers, mesh, glazed earthenware, speakers cord, plastic pipe, used face mask, soy sauce, bubble gum, dog chew toy, plastic packaging, resin, tapioca pearls, wood, car door, found car part, Dimensions variableJana Hawkins-Andersen, Matt Black Maserati with and Oily Fingerprint, 2017, Gazed earthenware, resin, Dimensions variableNalda Searles, When They Danced He Was Transformed, 2008, Man's Tailored Suit Jacket circa 1947 (artist's father), cotton netting purchased in Timbuktu 1960D&K All or Nothing installation view
I am an artist based in Sydney, Australia. I acknowledge the Gadigal people of the Eora Nation, the traditional custodians of the land on which I live, work and learn. I pay my respects to elders past, present and all First Nations people.
There are three interconnecting strands to my practice, I photograph movement, document my life and organise shows.